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标题: Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset –... [打印本页]
作者: admin    时间: 2020-3-3 17:44
标题: Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset –...
Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset – Pergolesi: Stabat Mater (2020)
FLAC (tracks), Lossless | Classical, Instrumental | 65:55 | 269 Mb
长期的合作伙伴Sandrine Piau和Christophe Rousset经常与其他音乐家一起演奏Stabat Mater，这是18世纪那不勒斯曲目的象征性作品。因此，对他们来说，录制这一至高无上的神圣音乐杰作是很自然的一步。他们还加入了Les Talens Lyriques的一个相对较新的成员，Les Talens Lyriques也已经成为该乐队的定期合伙人，美国的反男高音Christopher Lowrey（早在Alpha 216的专门用于Monteverdi的Alpha光盘上就已经听说过）。
该节目由莱昂纳多·利奥（Leonardo Leo，1694年至1744年）的Beatus vir，桑德琳·皮乌（Sandrine Piau）演唱的中提琴和尼古拉·波波拉（Nicola Porpora）的中音萨尔夫·里贾纳（Salve Regina）（1686-1768年）完成，这是两位作曲家的两幅完全未知的作品，但他们在当时-例如，波波拉（Porpora）是法里内利（Farinelli）的歌唱老师和年轻海顿（Haydn）的导师。克里斯托弗·罗塞特（Christophe Rousset）在这首音乐中发现，“一种非常地中海风味，极富风味的虔诚表达，使人们很快从眼泪变成欢笑”。桑德琳·皮乌（Sandrine Piau）在狮子座中看到了“一种优雅的风格，悲伤中有一段距离”。

Tracklist:

1. Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa (4:48)
2. Stabat Mater in F Minor, P. 77: II. Cujus animam gementem (1:56)
3. Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat (1:41)
4. Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (2:15)
5. Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (2:58)
6. Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem natum (2:51)
7. Stabat Mater in F Minor, P. 77: VII. Eia Mater fons amoris (1:52)
8. Stabat Mater in F Minor, P. 77: VIII. Fac ut ardeat cor meum (1:52)
9. Stabat Mater in F Minor, P. 77: IX. Sancta Mater istud agas (4:29)
10. Stabat Mater in F Minor, P. 77: X. Fac ut portem Christi mortem (3:47)
11. Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus (2:00)
12. Stabat Mater in F Minor, P. 77: XII. Quando corpus morietur (4:41)
13. Salve Regina in G Major: I. Salve Regina (3:37)
14. Salve Regina in G Major: II. Ad te clamamus (1:41)
15. Salve Regina in G Major: III. Ad te suspiramus (2:35)
16. Salve Regina in G Major: IV.Eia ergo (2:20)
17. Salve Regina in G Major: V. Et Jesum (2:53)
18. Salve Regina in G Major: VI. O clemens (3:56)
19. Beatus vir qui timet in F Major: I. Beatus vir (2:52)
20. Beatus vir qui timet in F Major: II. Exortum est (1:00)
21. Beatus vir qui timet in F Major: III. Misericors (1:22)
22. Beatus vir qui timet in F Major: IV. Iucundus homo (3:24)
23. Beatus vir qui timet in F Major: V. Dispersit (2:50)
24. Beatus vir qui timet in F Major: VI. Gloria (1:06)
25. Beatus vir qui timet in F Major: VII. Sicut era (1:25)

Longstanding partners Sandrine Piau and Christophe Rousset have frequently performed the Stabat Mater, an emblematic work of the eighteenth-century Neapolitan repertory, both together and with other musicians. It was therefore a natural step for them to record this supreme masterpiece of sacred music. They are joined here by a relative newcomer to Les Talens Lyriques who has also become a regular partner with the ensemble, the American countertenor Christopher Lowrey (already heard on an Alpha disc devoted to Monteverdi, Alpha 216).
The programme is completed by a Beatus vir by Leonardo Leo (1694-1744), sung by Sandrine Piau, and a Salve Regina for alto by Nicola Porpora (1686-1768), two totally unknown works by two composers who were nevertheless very famous at the time – Porpora, for example, was Farinelli’s singing teacher and mentor to the youthful Haydn. Christophe Rousset finds in this music ‘an expression of very Mediterranean, very highly flavoured piety, in which one moves from tears to laughter quite quickly’. Sandrine Piau sees in Leo ‘an elegance of style, a certain distance in sorrow’.


作者: semynet    时间: 2020-10-23 14:03
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