Production Grand 2是适用于NI Kontakt 5.7及更高版本的非凡高质量钢琴样本库，包含八个麦克风视角，并在世界一流的录音棚中录制了超过120,000个Yamaha C7三角钢琴样本。
如果您今天走进录音室，您很可能会发现Yamaha C7，这是在无数录音中听到的标志性三角钢琴。每个工程师都有自己的方式来捕获声音，无论是麦克风的位置还是所用麦克风的类型。 Production Grand 2旨在在钢琴样本库中捕获这些音调，从而使您在麦克风放置和选择方面具有极大的灵活性。可以像制作人或工程师在工作室中一样，将标志性的工作室钢琴声音添加到您的表演和作品中。您可以尝试所有音调组合，也可以选择我们为您制作的预设之一。无论哪种方式，您都可以享受钢琴声波治疗。
Production Grand 2非常适合工作室制作，舞台制作，电影配乐制作，表演等等！
Production Grand 2 is an exceptionally high-quality piano sample library for NI Kontakt 5.7 and above, consisting of eight microphone perspectives and over 120,000 samples of a Yamaha C7 grand piano recorded in a world-class recording studio.
If you walk into a recording studio today, chances are you are going to find a Yamaha C7, the iconic grand piano that is heard on countless recordings. Every engineer has there own way of capturing the sound either with the position of the microphones or the type of microphones used. Production Grand 2 aims to capture these tones in a piano sample library that gives you great flexibility in microphone placement and choice. The iconic studio piano sound can be added to your performances and productions the same way a producer or engineer would in the studio. You can experiment with all the tonal combinations or simply choose one of the presets we made for you. Either way, you are in for a piano sonic treat.
Production Grand 2 is ideal for Studio Production, Stage Production, Film Score Production, Performance and more!
Format: NI Kontakt 5.7 and above. (Kontakt sold separately. Not for Kontakt Player)
8 Microphone Perspectives
Available as a Download (Contact support if a USB 3.0 hard drive is required at an additional cost)
Production Grand 2 Features:
12 velocities pedal up samples (carefully selected from 16 sampled)
12 velocities pedal down samples (carefully selected from 16 sampled)
12 velocities release samples (carefully selected from 16 sampled)
Authentic Pedalling: adds sympathetic resonance and realistic pedal control.
Authentic hammer mechanism noises (labeled: Pre-Attack)
User controllable recording noise for added studio realism
Recorded with world-Class microphones: Coles, AKG, Classic U87s, B&K, Crown etc.
Best possible A/D converters used: Burl Mothership
Best possible microphone preamps used: API and Neve
Microphone Perspectives:
1. Player’s Perspective: Player’s perspective that is near binaural. When you put on your headphones with this perspective, it will sound like you are there playing the piano! The player’s perspective was recorded with a Crown SASS-P MKII.
2. Hammer Microphones: I’m a big fan of hammer microphones. With the hammers recorded you will get plenty of attack and a more aggressive sound.
3. & 4. Inside Microphones: This is the sound most people associate with piano recordings. We decided on two sets of inside piano microphones: vintage Neumann U87s (they say West Germany on them!) and the modern Rode NT2As. This gives the player the ability to get that classic piano sound or the modern wider-range sound or both!
5. Outside Microphones: Just outside the piano we used really expensive Neumann M149 modern tube microphones. The engineer called these the “Golden Sound” microphones. This microphone pair has a classy sound and a more balanced tone than the inside and hammer microphones.
6. & 7. Room Microphones: In an attempt to give you modern and classic choices, we used Coles ribbon microphones and AKG C414s on the rooms. The ribbons sound like… ribbons… smooth and velvety! Ribbons take EQ well; another reason to include them. The AKGs sound true to the piano’s tone in the room.
8. Under Piano Microphone: Underneath the middle of the piano we used a PZM (pressure zone) microphone to give a clear centre image to the sound.
Microphones:
Room Microphones: Coles Ribbon, AKG 414
Hammer Mics: B&K
Inside Mics: vintage NeumannU87, modern Rode NT2A
Outside Piano: Neumann M149
Piano Bottom: PZM
Player’s Perspective: Crown SASS-P MKII for near binaural experience when played!
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置顶卡
沉默卡
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变色卡
千斤顶
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